| Director: Jim Jarmusch, Writer: Jim Jarmusch, Date: 10 | | | | called himself "Nobody". He believes that Blake is the |
| May 1996 (USA) Genre: drama / western, Awards: | | | | dead English poet who died in 1827. He goes to |
| two wins and 5 nominations Filming Locations: | | | | spiritual journey that is inspired by real Blake poems. |
| Applegate River, Oregon, USA, Company: Pandora | | | | Noticeably, in a key scene, Nobody asks Blake, "Did |
| Filmproduktion | | | | you kill the white man who killed you?" Bill answers, "I |
| Main actors: Johnny Depp (William Blake), Gary farmer | | | | am not dead". |
| (nobody), Crispin Glover (train fireman), Robert | | | | First of all Nobody teaches him "you will learn to use |
| Mitchum( john Dickinson), Gabriel Byrne (Charlie | | | | your guns instead of words, your poetry will now be |
| Dickinson), Lance Henriksen (Cole Wilson), Michael | | | | written in blood". Soon he learns to cope with the |
| Wincott (Conway Twill), Eugene Byrd Johnny (The | | | | condition that he had never confronted. Contrary to |
| Kid) Pickett. | | | | his personality he becomes a hunter and killer but, he |
| Jim Jarmusch is a leading American filmmaker who | | | | does not completely change to a western American. |
| began his career in 1980 with PERMANENT | | | | His eyes are open to humanity. He and Nobody kill all |
| VACATION. Before dead man, he directed many | | | | persons who want to trap him; he kills big George |
| films and continuing series of short films. He says the | | | | Drakulious (Billy Bob Thompson), Salvator Jenko (Iggy |
| openness of the western form, and its inseparable | | | | Pop), Benmont Tench (Jarred Harris), and some other |
| connection to "America" is the reason that he makes | | | | persons. By the end of the film Blake has traveled |
| dead man in the form of western film. | | | | far beyond every where, maybe he is traveling |
| Dead man is the history of a traveler from Cleveland | | | | toward his death. |
| to western frontier of America in second half of the | | | | The film contains a continuing contradiction: the |
| nineteen century. William Blake (Johnny Deep) a | | | | contrast between civilized east and Wild West. |
| gentleman moves to town of Machine, a small town | | | | Paradox of Blake's spiritual journey in search of his |
| far in west, where he has been promised a job. In | | | | ultimate destiny which changes his personality to a |
| the first moments of his journey he encounters | | | | brutal killer, the coarse Native American man who |
| passengers who open fire on herd of Buffalo, all of | | | | does not believe in any identity for himself but thinks, |
| them carry gun and shoot and kill easily. The only | | | | experiences spiritual journey, believes in poem and |
| ordinary conversation that Blake experiences during | | | | has a sense of respect to the poet, Thel (Mili Avital) |
| his journey is whit a fireman (Crispin Glover) whom | | | | the girl, who keeps gun in her bed and perfidies to his |
| cannot even read. Blake is shocked when he arrives | | | | lover, has pure and sensitive spirit, Conway Twill |
| in an exotic, outlaw, uncivilized, dirty and violate city. | | | | (Michael Wincott) one of the most skillful killers in the |
| When he goes to Melta Works, office manager | | | | city has a doll and sleeps with that. |
| rejects him because of his delay, but, it does not | | | | On the technical side, the black and white filming |
| seem that date and guarantee of work is important | | | | recalls the primitive atmosphere of nineteen century, |
| for them. John Dickinson, the boss, speaks with the | | | | it gives the sense of nostalgia and solitude of both |
| language of gun. With no job, no money and no hope | | | | Dead Man and Nobody, of all people who live |
| in a gun city, he becomes familiar with a girl who | | | | together but live in dread, dread of their own |
| seems different from others. They find each other | | | | language, language of GUN. On the other hand, during |
| as kinder spirits but the girl is killed by his former | | | | the film, black and white space gives the massage of |
| lover -Dickinson's son- when she is in bed with Blake. | | | | DEATH, the great mystery which there is no specific |
| Blake kills the man by girl's gun in self defense. He | | | | color for visualizing it. So, Black and white is another |
| escapes from town and on the outskirts, he | | | | contradiction. |
| encounters with a strange Native American who | | | | |