| Anokis Productions is proud to present
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| | that are 48k, 24-bit or if it comes in
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| ADR and Foley Services. Let us help you
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| | off a DAT it's 16-bit, so having the ADR
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| find the perfect atmosphere for your
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| | at a much higher sample rate doesn't gain
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| Video Production. On the Foley stage,
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| | us a lot other than eating up disc space.
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| tracks are recorded into a 24-channel Pro
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| | Foley Soundtracks, Sound Effects, and
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| Tools LE System. We're on a Pro Tools LE
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| | ambient sounds can all be added in Anokis
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| System that can record at 192k, and if
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| | Productions Post-Production. We
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| you play that back at 48k you don't even
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| | currently posess The Series 6000 "The
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| have to convert it; you can just play it
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| | General" Sound Effect Library that's
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| back. It plays at two octaves down if you
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| | recognized all over the world as the most
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| play it at a 48k session, so you get a
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| | comprehensive sound effect library of its
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| lot of good clean detail and that allows
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| | kind. Don't let uncontrolled issues like
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| us to do a lot of different things with
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| | traffic, airplanes or animal noises ruin
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| the wax itself. It's a constant source of
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| | your perfect take! We can help you with
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| entertainment for our interns. Depending
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| | all of your Audio Recording needs! If you
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| on the format-features or Television -
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| | have any questions, please Click Here
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| the demands for both Foley and ADR are
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| | for Anokis Productions' Customer
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| high thanks to the highly attuned ears of
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| | Service. Foley artists match live sound
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| consumers. The quality of Sound Systems
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| | effects with the action of the picture.
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| at theaters is well documented, and with
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| | The sound effects are laid "manually" and
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| the continuing surge of surround sound
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| | not cut in with film. The foley crew
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| systems [Dolby 5.1Â(R)] in the home,
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| | will include the artist or "walker," who
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| each and every sound is carefully
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| | makes the sound, and a technician or two
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| scrutinized. As the matter of fact, more
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| | to record and mix it. A foley stage
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| and more advertisements are finding their
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| | often appear to be storage areas for the
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| way beyond canned Sound Effects to dates
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| | studio's unwanted junk. Metal laundry
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| on a Foley stage to make sure Audio
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| | tubes are filled to the brim with metal
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| Quality doesn't suffer during those
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| | trays, tin pie plates, empty soda cans,
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| expensive two minutes. ADR Automatic
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| | hubcaps, bedpans, knives, forks and
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| Dialog Replacement Mixing and Audio
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| | broken staple guns. These crash tubes are
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| Mastering. ADR data has recorded right
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| | used for anything from comedy crashes to
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| to Pro Tools LE. It's not so necessary
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| | adding presence (brightness and
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| for ADR, and frankly speaking almost
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| | naturalness) to something as serious as a
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| everything we get comes off of mediums
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| | car crash.
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