| Anokis Productions is proud to present ADR | | | | that are 48k, 24-bit or if it comes in off a |
| and Foley Services. Let us help you find the | | | | DAT it's 16-bit, so having the ADR at a much |
| perfect atmosphere for your Video Production. | | | | higher sample rate doesn't gain us a lot |
| On the Foley stage, tracks are recorded into | | | | other than eating up disc space. Foley |
| a 24-channel Pro Tools LE System. We're on a | | | | Soundtracks, Sound Effects, and ambient |
| Pro Tools LE System that can record at 192k, | | | | sounds can all be added in Anokis Productions |
| and if you play that back at 48k you don't | | | | Post-Production. We currently posess The |
| even have to convert it; you can just play it | | | | Series 6000 "The General" Sound Effect |
| back. It plays at two octaves down if you | | | | Library that's recognized all over the world |
| play it at a 48k session, so you get a lot of | | | | as the most comprehensive sound effect |
| good clean detail and that allows us to do a | | | | library of its kind. Don't let uncontrolled |
| lot of different things with the wax itself. | | | | issues like traffic, airplanes or animal |
| It's a constant source of entertainment for | | | | noises ruin your perfect take! We can help |
| our interns. Depending on the | | | | you with all of your Audio Recording needs! |
| format-features or Television - the demands | | | | If you have any questions, please Click Here |
| for both Foley and ADR are high thanks to the | | | | for Anokis Productions' Customer Service. |
| highly attuned ears of consumers. The quality | | | | Foley artists match live sound effects with |
| of Sound Systems at theaters is well | | | | the action of the picture. The sound |
| documented, and with the continuing surge of | | | | effects are laid "manually" and not cut in |
| surround sound systems [Dolby 5.1Â(R)] in | | | | with film. The foley crew will include the |
| the home, each and every sound is carefully | | | | artist or "walker," who makes the sound, and |
| scrutinized. As the matter of fact, more and | | | | a technician or two to record and mix it. A |
| more advertisements are finding their way | | | | foley stage often appear to be storage areas |
| beyond canned Sound Effects to dates on a | | | | for the studio's unwanted junk. Metal laundry |
| Foley stage to make sure Audio Quality | | | | tubes are filled to the brim with metal |
| doesn't suffer during those expensive two | | | | trays, tin pie plates, empty soda cans, |
| minutes. ADR Automatic Dialog Replacement | | | | hubcaps, bedpans, knives, forks and broken |
| Mixing and Audio Mastering. ADR data has | | | | staple guns. These crash tubes are used for |
| recorded right to Pro Tools LE. It's not so | | | | anything from comedy crashes to adding |
| necessary for ADR, and frankly speaking | | | | presence (brightness and naturalness) to |
| almost everything we get comes off of mediums | | | | something as serious as a car crash. |